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Over the next four years and with the vast resources of the internet I soon got snowed with information. I honestly thought that despite the convenience factor and plugging into a computer, things would be technically the same right? After all light is still light and the old film lenses that worked on the F801 worked on the D80. Little did I know that the Digital Darkroom would be as necessary for Post Production if not more so than the Film Darkroom and that a lot of time would be spent behind a screen…I also didn’t believe that PP was necessary! Even though I shot, developed, PP and printed my own images in the early 80’s in a real dark room. Digital quality was getting better as time went by and the D80 at 10Mp with a’ large’ APS-C sensor (larger than pocket digital cameras) 1.5x crop factor with the older film lenses, had reached a kind of a buy now pinnacle (2008/9). I had zero experience with D -SLR digital, only point and shoot digital as I had owned very early versions of no name and branded digital models from a Sony Mavica (1999) up to a Canon Powershot 5Mp (2006). In early 2009, after 28+ years of 35mm SLR film photography I started photographing (‘experimenting’ is a better word) with a new Nikon D80 D-SLR.
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Whilst my personal technique is not to push ISO at night and shoot in Manual mode, there are times when you need more s/s to capture a very lively performance or front man.
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To quote “ Topaz DeNoise 5 is the only software of its kind that is able to recover crisp detail while simultaneously removing up to four stops of noise with the utmost quality.” I’ve found this to be true especially when shooting gigs at night. I now demo and promote it’s use when asked by my clients. The bundle was more expensive than just one noise reduction utility but they all work hand in hand. I bought the complete bundle and received no encouragement or incentive from Topaz Labs to do so. I researched various DeNoise applications, tested trial versions and eventually settled on the Topaz Labs Suite mostly due it’s excellent results plus the very creative and useful additional bundle of professional editing products. I obliged, but I think I bit off more than I can chew… Writing decent tutorials that are both interesting and educational but not overbearing works of science is no joke!īefore I used a ‘plug-in’ to assist me I battled to control the noise in camera expensive faster lenses, better stability, allowing lower ISO’s but higher shutter speeds. I’ve been planning on writing a tutorial on my wildlife image digital work flow when I got an email from Ashley over at Topaz Labs asking for just that ? (Scroll down to the Tutorial if you just wish to read that)
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Naturally you can’t take your studio lights with you into the Kruger National Park or the Masai Mara… Often you are not allowed to take a flash and snoot on the vehicle the game rangers simply don’t allow that as it blinds your subject and puts it at momentary risk of it’s predators… You can’t afford Pro Glass to get faster results in lower light.Įnter the digital darkroom and Topaz Labs!
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One of the questions I’m often asked is how does one keep images noise free, especially when one can’t really control the light, such as one would in a studio environment? I travel throughout Africa hosting Wildlife Photo Workshops and in-house DSLR Workshops. Just enter coupon code “NoiseFree” CLICK HERE TO GET YOUR COPY
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Welcome! Precious few of my clients and even less of the general enthusiast photographer can afford a $7000-00** Full Frame FX or APS-H D-SLR with High ISO Low Noise capabilities… but a piece of software that can reduce and even eliminate noise for USD $80-00? That’s far more attractive an option! You can now also use Topaz Labs as a stand alone product with the new PhotoFX Lab.Īs a special offer to new users, Topaz Labs are offering a 30% savings on DeNoise until October 12, 2012.
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